3/16/2017: Art and Cultural Norms

“Only worship music is good music.”

I grew up with this belief, or something like it. I have trouble responding with any measure of clear-headedness when someone brings it back up, though I have been and am being convinced that valuable art is a much broader category than just worship music.

This is from a document for my novel:

This is the issue with southern moralistic Christianity that requires that all “art” be “Christian” to be good. It’s an application of a cultural norm more than a recognition that intent always qualifies morality and that the intent should be “love one another.”

Otherwise—and this is not a reason or a proof against this system but a symptom or result of it—a southern moralist cannot accept or interact with other cultures that do not censor the same taboos but that might still be loving. He cannot speak with the Irish or persons from Spain or the Nordic countries, who cuss like crazy. He cannot hang out with the English or persons from Seattle or Colorado (or pretty much anywhere) because he can’t handle being in a pub. He can’t regard art that incorporates disturbing imagery even when its message is the Gospel.

Indeed, how can southerners interact with the Gospel? Maybe by Lifeway books and movies.

Intent determines moral purity; rules do not (unless they are followed with pure intent). Christ certainly exemplifies this when combatting the religious leaders, whose rules had the appearance of purity but no heart. I think our tendency is the same—to make rules and then forget the heart. And maybe it’s a parenting failure, or maybe it comes from losing faith. Or maybe it comes from failing to understand or care where rules come from and why those origins matter. Though it’s probably at its core an issue of faith.

I think Israel is a really interesting example. They began with the heart, in Abraham and then down through the central figures. They also had God-given rules designed to cultivate and guide that heart. But they lost the heart, kept the rules, and built upon the rules. Didn’t they? (12/13/2017: A friend once told me that the Ancient Near Eastern understanding of Law was more idealistic or prescriptive than prohibitive—”Look upon this law, understand the truth and justice behind it, and apply that truth and justice in whatever way is best per context”; even so, it’s pretty clear that the Jews of Jesus’ day were of the prohibitive brand). It was culture that they built upon purity, but it was godless culture. The same is true, I think, of much of southern moralism today. And surely other brands of moralism.

The problem for Christians, and anyone else looking for goodness and beauty and truth (may they find Christ), is when we assign purity or impurity to culturally normalized morals, like “(So called) worship music is the only music worth listening to” or “No cussing,” “No drinking,” “No ‘vulgar’ media,” and even, sometimes, “No nudity.” I do not believe anything is necessarily impure. Impurity requires less-than-pure intent.

The standard is love. Not just lack of unlove, but the act of love. If it’s not in love, it’s impure.

I do not mean that we should disregard all prudence when dealing with these things. Paul talks about this. Don’t tempt the alcoholic with the real freedom to drink in appropriate contexts. Don’t tempt the porn addict with the real freedom to regard the human body in appropriate contexts. But the reason for those rules (I suppose they are rules) and therefore the only thing that makes them worth following is love. Assigning these rules without assigning love leads persons into sin and wickedness. So love requires that we encourage them away from things that tempt them, until such time that they grow in faith and not be overcome with their temptations as they love.

With this in mind, certainly all bad art, and bad thinking, takes at face value the norms of its cultural context—culture being the things that man has developed.

  1. Cultural norms, because they typically originate in fallen man, are less than good.
  2. Good things accord with God. So good art accords with God—in its truth, in its beauty, in its recognition of the world and the human condition, in its creation of cosmos from chaos.
  3. So good art, and good thinking, always calls into question (typical) cultural norms.

3/6/2018: If art accords with any particular culture (given that all our cultures, even in the church, are man-touched), my guess is it’s not good (stick this word on a scale in your mind before impaling me on my perfectionism). And if you think it’s good, maybe you’ve got some introspection and repentance to do. My only real point here–good art challenges.

Edit 3/7/2018: Apparently astrophysicists agree.
[tweet https://twitter.com/neiltyson/status/970815875635929088]

Edit 2: Also G. K. Chesterton (whom I’ve yet to read).
[tweet https://twitter.com/brehmcenter/status/971252789597831169]

1/31/2017: On Productivity

I just read this: https://www.brainpickings.org/2012/02/22/henry-miller-on-writing/

Miller echoes much of what I’ve read elsewhere. Namely, don’t write according to “Do I want to write right now?” Write according to a schedule or system, what he calls a program. Professional writers don’t wait around for inspiration—they work, and all that.

To some degree, I have done this. I did it more so when I was working on my first draft, when I could set a daily goal (2000 words). It’s more difficult now. I suppose I could set time periods. But this is difficult given that I write only when there’s nothing else to do. Writing always takes second seat. But perhaps this is better than the flip-flop I’ve been slipping into. It’s also more difficult to devote two hours a night to it, after having child #3. And I write better in the morning anyways.

My upper standard is to always work. Always be productive. And most of all, work on the book. My lower standard is just to avoid those things that addict me, like video games and movies. Somewhere in between are things like what types of productivity are acceptable: honey-dos, chores that I have to do anyways and can’t do when I’m at home, learning of various kinds. I’m sure there’s others.

But sometimes, like right now, I get afraid of my book. I’m not sure what it is. Probably a fear of sucking at it. Or maybe a fear of fear. And at those times, I slack off by finding other productive things to do. And perhaps as a result of feeling like I’ve failed my standard, I just want to slack off more and more until I want to slack off by hanging around social media.

I’m not sure if that’s really the answer. And I think it’s better if I don’t fixate on finding it. I have a feeling I just want to get my work right because of some level of idolatry, when I should be depending on God for whatever character and productivity are good. More than that, I should work toward loving God and others rather than meeting whatever level of work makes me feel good about myself. The goal is to write for others. Not for me. To serve others always, including when I write. It’s just an aspect of life.

Slacking off, avoiding that work, is not loving at all. I should write that again. Slacking off—vegging—is a lack of love toward others. Even productive things that I take on but do so to avoid loving others (looking for a house too much is a sign of this attitude; looking isn’t bad, but looking only as a way to avoid serving others is, like cleaning the house when I should be playing with my kids). Only acts I carry out in order to love others fall into the same category as loving others in my writing. But since I am convinced that I should find what ways I serve best, and since I think writing might be one of those ways, writing comes first, as far as I can make it, until I find something else that fits me better.

What about rest time? Akin to a Sabbath? It was instituted not for vegging but for true rest. Refreshment. Rejuvenation. Vegging doesn’t accomplish that. What does? Prayer. Reading Scripture. Taking in good lessons. Good conversations. Manual labor can even help one accomplish these.

What about books? Good movies? Documentaries? Things that challenge me. I feel like those would be kind of like learning, kind of like dialogue. As long as I don’t use them to veg, to avoid service. And perhaps time allotment serves this function best.

And while I’m at it, it seems like this first book is as much about learning how to be a writer (and artist and member of humanity and dependent-on-God and father and husband and IT guy and house owner and goodness what else…) as it is writing a novel. I’m kind of glad I didn’t get into writing when I was younger. I would have ruined it with the same immaturity with which I ruined music. Not to say I’ve reached the goal, but I am clearly more mature than I was.

12/5/2016: Upon a Wasted Day

I’m frustrated because I did nothing “worthwhile,” but upon considering what is worthwhile, I find that even those things that I would do if I could do it over again do not have as their motive anything more wholesome than what led to my wasted day. And when I fear the waste of a day when I see it on the horizon, I wonder if I fear not that the Lord loses me but that I lose productivity or growth or whatever idol it is that I worship. If it’s what I think it is, I wonder how many days I have that aren’t wasted.

Of course, I have to qualify this with what Dr. Svigel said. We’re at all times both sinner and saint. When we sin, we don’t wholly sin. When we do good, we don’t wholly do good.

11/4/2016: Towers of Babel

The thing about the tower of Babel is that they probably would have finished it. The issue wasn’t that God was stopping them from failure. He was stopping them from success, lest they succeed in what would have been a small thing, in reality, but that would have convinced them of their greatness. God stopped them and scattered them lest they convince themselves that they didn’t need him.

Connect this with my own towers. I may actually be able to do these things. But I fall into confusion and worry and so remember that I depend upon God.

The reason this is important to me is because I often see other people succeed in these things that confound me and question whether my arrival at dependence upon God is valid. They do it fine. Why can’t I? Assuming these persons actually “do it fine,” what’s the disconnect? One might conclude that God disallows me from functioning independently. A scan of my history seems to indicate this. It certainly seems that unless I have an attitude of dependence, I am unable to refrain from anxiety when dealing with the success about which I care. Though of course that’s just one interpretation.

But this brings a more elemental issue to the front. I sometimes get dead-ended into thinking that I am dependent on God for success in these things. That’s true. But the point of Babel is broader and baser, I think. I’m dependent on an essential level, and that’s the real issue. I’m dependent for life, for sanity, for motivation, for love, for a future, for all of the assumptions upon which I function and also for success, even in things in which I am qualified, in the human sense.

God breaks me from my towers to remind me that I am dependent as creation to Creator, not just that I am dependent for the building of towers. The towers really aren’t the issue at all.

It is up to God for all good things.

That being true, I must conclude that mere addiction-breaking (in my case, media addiction), such as that which occurs for so many unbelievers, is either common grace or something short of good. Indeed, a lack of addiction with a lack of love is not good, though it may feel better (remember wanting to not be worried anymore when you still dealt with legalistic anxiety?). A lack of addiction with love is good. And God provides all good things.

Furthermore, it seems to me that this is another issue of sanctification, much like my initial issues with legalism, which started to unravel near the beginning of my time at DTS. And the big thing that changed concerning my understanding of sanctification is this—all salvation is by grace through faith. ALL SALVATION IS BY GRACE THROUGH FAITH. That means that this token of sanctification—me escaping addiction and entering love, concerning media and work and the like—is BY GRACE THROUGH FAITH. Could a person force themselves, apart from grace, to do a “good work?” Yes, but only if God provides the circumstances that allows them to do it, and it would lack the motivational, character elements that makes it truly godly, thus limiting to what degree it could be called “good.” Likewise, a person can force themselves to lose an addiction, God-permitting, but such would lack the goodness that comes from true salvation-sanctification. And it’s that salvation that’s desirable and good. The first is merely an idol or tower or ease or something. And it is a grace that God has not allowed me to settle for those things and has reminded me to desire the utmost, the greatest good that he could provide—salvation unto Christ-likeness.

So what should I desire? To escape this addiction into love—whatever love is lacking in conjunction with this addiction. How is it accomplished? By grace, through faith.

Of course, that means that it comes at the time and place and by the methods of God’s will. Not mine. And like all salvation, it is his prerogative to give it or not to give it. And he is good regardless of his choice and timing. (Correction—his choice and timing are good, even when I don’t perceive them as good, in which case the problem is whatever I have set as my standard for good).

Another thing. I said before that building the tower was in their means. That’s true, but only in part. They depended on God for their being, for their genes, for their circumstances, and for everything else short of whatever it is we choose of our own accord, to whatever degree that is possible.

5/1/2017—Dependence became a pretty big theme for me last year. I think I wrote this document nearing the hilltop of my personal development on the subject (up to this point). It came on the heels of having our third child, interacting with my dad’s recurring cancer, failing to buy a house, and failing to conquer (after three months of success) my lifelong addiction to video games.

Dependence ended up in the novel I’m working on, as well. An important part of my cosmogony (and therefore the framework for my story) concerns dependence/independence, and I did a lot of work on the idea outside of the cosmogony. I hope to make the latter available at some point.

9/6/2016: Loose Thinking on Writing

Schol! Whatever that means.

Is it a joy to write?

Joy joy joy joy.

Yoj.

Yooooj. Yojoy. Joyoj. Joyoi. Oi oi oi!

It’s a way of thinking. Of expressing thought. Of communicating.

Is it a joy to think, to express thought, to communicate?

It’s just life. For me, anyways.

Is it a cell to suppress thought, to hide it away, to remain silent?

Never done it. Not completely. It’d be annoying.

What is writing? Just a tool for creating. A craft. A skill. A practice. Keys on a laptop. Pixels on a screen (though very small pixels). Black on white. The canvas. A wooden post against my back.

A round-glassesed teacher in a white button-up and skirt, you in her 10th grade English class. Early twenties. Kind of cute. Kind of strict. Kind of tough. Kind of interesting. Annoys you one day. Coos to you another. Makes you jittery another. Not always in her classroom. And you seem to stalk her a bit—pretty sure she avoids you sometimes. Until you stop stalking. Then she comes back and teaches some more. Writing, the cute teacher. “Hey, you,” she says.

Writing is the dog that dug under the fence. Dang dog. Comere, boy! I have food! I have your ball! Is that a deer? Don’t run across the road! Come back! Come back! Where has he gone? Maybe the neighbors. Nope. Maybe the woods. Nope. Maybe my grandparents. Nope. Maybe the pound. Nope. I’m tired. I’m going home for a sandwich and a glass of ice water. He’s at the door? In the gate? Stop scratching on the glass! Hey boy. Good boy. Covered in sweat and thorn-scratches for nothing.

Coffee. More, more more moremoremoremormor. Gah. Less. Less. Less. Chill.

Is that perilous point—that magical, mysterious, mythical end—a place in which I write without loving my skill? Without caring so much about my craft’s perfection (or at least not for the same reasons)? If I am there, no doubt I will not care that I am there, as long as I can write and think and love. Sounds familiar. Perilous? Really?

The joy of writing vs. the joy of being good at writing. The latter doesn’t materialize for me when it’s my love and goal. Thanks to God, I assume.

7/17/2016: Internet Access

I have kept myself from internet access for my past few writing sessions, and I am finding that in my off time I am still thinking of writing. In fact, it doesn’t seem as difficult to get into the writing mindset at all—when I have sat down to write-or-else. I am wondering if there is a connection, and it seems like there might be. Dr. Glahn mentioned how letting our attentions be drawn to other things constantly keeps us from really delving into things. Before, I would go to Facebook or to Netflix or to YouTube, and sometimes these would just be short trips, but I wonder if even these little distractions had serious repercussions.

It reminds me of Guam. We got there, and I didn’t do anything on the internet except the occasional movie. The only other things I did were study for courses, do my internship stuff, and explore the island. I would work on my writing wherever I was, no intention required.

I should continue to deny myself distractions. I think it might enable me to really delve into my writing ideas and make it something I’m always, or at least more often, working on.

Sometimes your best thoughts can come when you have nothing better to do than to sit and think after having worked hard on something and having nothing else to focus on. It allows your background thoughts to work on the same topics uninterrupted. It’s like chewing cud. You bite, bite, bite, chew, chew, chew, swallow, bite, bite, bite, and so on.

Distraction overload.

I guess you just cut out everything you’d rather do more. Make them unavailable however you can. The key is to find the thing that’s really high on your rather-dos and then cut out all the junk-food-rather-dos that are above it. Then you’ll choose to do that thing.

I always found that to be the case with playing guitar. I only ever wanted to do it when I was out of town and couldn’t play games or watch movies.

This is the same thing John Cleese talked about—carving out a period of time in which you disallow yourself from doing anything other than your creative art. You give yourself freedom to create and only to create. Freedom to create as long as you’re creating.